L’Œil des Cyclopes

A Mediterranean photographer’s path

I live in a small fishing village on the Mediterranean. In this remote, untamed place I find the energy that drives my work. I have a nomad’s soul: always moving, drawn to elsewhere, alert to the invisible passages between worlds. I need to feel like a stranger for the magic of the moment to happen.

After travelling the world with a film camera on my shoulder for documentaries, I traded it for a stills camera, and a new kind of freedom. At the heart of my photographic path is a long commitment to the Moken, the sea nomads of the Mergui Archipelago in Myanmar, whose visual memory I keep alongside a team of ethnologists led by Jacques Ivanoff.

A photographer near Toulon for more than fifteen years, I founded L’Œil des Cyclopes to work with companies and institutions across Provence. Alongside it, I pursue personal projects essential to my way of seeing: ethnographic assignments with the Moken for the British Museum, minimalist series in the Cyclades, film festivals.

From corporate photography to ethnographic fieldwork, this portfolio sits on the border between documentary and art.

Portfolio

Reportage, portraits, travel, corporate…

Photographer in Toulon, Provence and the South of France

Corporate and institutional reportage

As a corporate photographer in the South of France, I produce reportage that showcases your business, your teams and your expertise.

Artistic and personal projects

Landscapes, portraits, scenes of life: series made in Greece and the Cyclades, Iceland, Japan and Los Angeles.

Ethnographic assignments

The Moken, sea nomads of Myanmar and Thailand. With the British Museum and teams of ethnologists, I document their life in the Mergui Archipelago, and I photograph for the Moken Alive Museum. A long-term commitment at the core of my documentary work.

Festivals and cultural events

Architecture and hospitality

Portraits

Actors, artists, musicians and entrepreneurs in Toulon and across the region. A sensitive approach, where personality matters more than the pose.